In the vibrant tapestry of contemporary Indian cinema, two compelling films, Pankaj Tripathi’s “Kadak Singh” and Ranbir Kapoor’s “Animal,” have recently taken center stage. Both narratives delve into the complexities of familial relationships, with Pankaj himself exploring the tumultuous dynamics between a father and daughter in “Kadak Singh,” while Ranbir Kapoor’s “Animal” unravels the strained ties between a father and son. In an exclusive interview with a leading news portal, Pankaj Tripathi sheds light on the intriguing parallels between these cinematic masterpieces.
Expanding Cinematic Horizons:
Pankaj Tripathi reflects on the evolution of Indian cinema, emphasizing the unprecedented diversity ushered in by the rise of OTT platforms. The ability to explore nuanced themes and unconventional narratives has become a hallmark of contemporary filmmaking. “Kadak Singh” and “Animal” epitomize this trend, addressing similar relationships but adopting vastly different approaches—like the magnetic pull of the North and South Poles.
Distinctive Treatments:
Despite the shared theme of familial discord, “Kadak Singh” and “Animal” distinguish themselves through their unique storytelling and directorial visions. Directed by Aniruddha Roy Chowdhury, “Kadak Singh” weaves a thrilling narrative that blends elements of a classic whodunit with the richness of family drama. The film features a stellar cast including Jaya Ahsan, Parvathy Thrivothu, and Paresh Pahuja, promising a cinematic experience that transcends traditional boundaries.
Pankaj’s Insights:
In the interview, Pankaj Tripathi shares insights into the cinematic landscape’s evolution and how it has provided a platform to explore complex relationships in ways not seen before. He highlights the significance of this thematic exploration, providing audiences with diverse perspectives that resonate on both emotional and intellectual levels.
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